You’re right, now TV Guide is calling everyone’s attention to it too.

Here’s a great little clip for us all to drool over. It’s a behind the scenes look at the TV Guide photo shoots and some words from the Sexiest Stars on TV, including CSI: Vegas star George Eads. He’s among very good company too. My other TV crush, Simon Baker is on the list along with a ton of other male and female hotties. So, sit back, relax and hit the play button. Enjoy!

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Episode 5.12 – Help
Air Date: January 14, 2009

Fans of Bridezilla will find this episode of CSI: NY interesting. It’s about brides fighting over a wedding dress and one dies. Check it out after the jump!

Press Release:
THE CSIs INVESTIGATE WHEN YOUNG BRIDES-TO-BE FIGHT OVER A KILLER DRESS AND ONE OF THE SHOPPERS ENDS UP DEAD, ON “CSI: NY,” WEDNESDAY, JAN. 14

“Help” – Young brides-to-be fight over a killer dress at the biggest wedding gown sale of the year and one of the shoppers winds up dead. The unusual clues of this case force Dr. Hawkes to confront a painful chapter from his past, on CSI: NY Wednesday, Jan. 14 (10:00-11:00 PM, ET/PT) on the CBS Television Network.

SERIES REGULARS
Det. Mac Taylor: Gary Sinise
Det. Stella Bonasera: Melina Kanakaredes
Danny Messer: Carmine Giovinazzo
Dr. Sheldon Hawkes: Hill Harper
Det. Don Flack: Eddie Cahill
Lindsay Monroe: Anna Belknap
Adam Ross: AJ Buckley
Dr. Sid Hammerback: Robert Joy

GUEST CAST
Det. Jessica Angell: Emmanuelle Vaugier
Marie Lowe: Meg Cionni
Laurel Downs: Ashley Cusato
Colin Clark: Eyal Podell
Eleanor Ravelle: Bonnie McKee
Kara Garland: Nichole Galicia
Trey Fager: Alex Band
Nurse: Mackenzie Firgens
Guitarist: Scott Sacks
Singler Sharon: June Little

Written by: Sam Humphrey
Directed by: David Barrett [Source: CBS]

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[Photo: newscom.com]

[Photo: newscom.com]

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[Photo: newscom.com]

Post from: CSI Fanatic

CSI: NY – Episode 5.11 Forbidden Fruit
Air Date: December 17, 2008

Press Release:
THE CSIs APPEAR TO HAVE AN OPEN AND SHUT CASE AFTER A MURDER SUSPECT IS IMPALED DURING A POLICE PURSUIT, ON “CSI: NY,” WEDNESDAY, DEC. 17

Kristin Cavallari (“Laguna Beach: The Real Orange County”) Guest Stars as Isabelle Vaughn

“Forbidden Fruit” – The CSIs appear to have an open and shut case after a murder suspect is impaled during a police pursuit, but it turns out the investigation is just beginning, on CSI: NY, Wednesday, Dec. 17 (10:00-11:00 PM, ET/PT) on the CBS Television Network.

SERIES REGULARS
Det. Mac Taylor: Gary Sinise
Det. Stella Bonasera: Melina Kanakaredes
Danny Messer: Carmine Giovinazzo
Dr. Sheldon Hawkes: Hill Harper
Det. Don Flack: Eddie Cahill
Lindsay Monroe: Anna Belknap
Adam Ross: AJ Buckley
Dr. Sid Hammerback: Robert Joy

GUEST CAST
Det Jessica Angell: Emmanuelle Vaugier
Clancy: Alvin Zalamea
Marks: Jack McGee
Ella McBride: Casey LaBow
Isabelle Vaughn: Kristin Cavallari
Tony Clark: Alex Schemmer
Quinci Feeney: Tahyna Tozzi
Marina Morton: Morgan Hewitt
Stan Trovato: Louis Lombardi
Colby Duncan: Chris Carmack
George Kolovos: Paul Papadakis

Written by: Jill Abbinanti & Executive Producer Peter M. Lenkov
Directed by: John Behring
RATING: TV14-LV [Source: CBS]

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Here’s a little spoiler tidbit for CSI: NY fans. I was happy to read this one myself!!

Is the Dec. 10 CSI: NY the last episode of the year? Will Flack and Angell still continue their “thing”? Will TPTB still pursue Adam and Stella? — Clarissa

TIM: We start with good news: The series won’t break for the holiday until Dec. 17. And then cut to more good news: Moving forward, exec producer Peter Lenkov promises “more intense character drama, as well as our trademark ‘only in New York’ stories. We’ll continue Stella’s pursuit of the man who tried to kill her and introduce a new nemesis for Mac, a media mogul played by Craig T. Nelson.” Lenkov goes on to say there are plans to “revisit” the Flack/Angell “thing,” but while Adam and Stella “play nice together, I am not sure there’s a romance there.” [Source: TV Guide]

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[Photo: newscom.com]

[Photo: newscom.com]

Post from: CSI Fanatic

[Photo: newscom.com]

[Photo: newscom.com]

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CSI: Vegas Episode 9.09 – 19 Down
Air Date: December 11, 2008

In a dimly lit living room, two men watch a video. On the video, a woman seems to be wimpering, as if she is held captive, perhaps being tortured or sexually assaulted. One man, seated on a sofa, says it brings back old times, and asks the man standing behind him what he thinks it’s worth. At that the other man strangles the seated man, and stuffs his lifeless body into a large trashbag. He drags the body out of the house, and places it into a car. In the dark, he dumps the body off a cliff into a ravine. The camera captures the body’s exposure to the elements and visible decomposition.

Grissom finishes a crossword, and walks out to hand Riley paperwork for a case of suspicious remains at the city dump. She jokingly pretends excitement over the assignment, “Awesome! Trash run for the low man on the totem pole.”

Greg gets a recovered stolen vehicle. To Nick he hands a possible arson at the Burger Giant. He hands Catherine a 419 in Green Valley. Grissom somberly announces his departure from CSI, and tells them that Catherine will take over. They will also get a new Level 1 CSI. He gets a message that there’s another case, that he’ll take. As he walks away, the team looks stunned.

Grissom looks off into the woods as he’s examining the scene of the dumped body. An officer comes over and tells him that two hikers found the trash bag, and said it wasn’t a popular trail. Grissom tells him that the body could have been there just a short time, or for years, but tells him to forewarn the coroner.

Catherine, Nick, and Hodges examine the “soup”. As they inspect the lack of clues in the mess of bones, clothes, and decomposition “juice”, Catherine notes that the generic clothing won’t help them ID or guess the gender of the victim. Nick finds a Star of David pendant. They do find some locks of hair. Catherine tells Hodges to separate it and get it over to Wendy for mitochondrial DNA testing. They don’t know whether the hair is the victim’s or possibly his attacker’s.

Dr. Robbins inspects the skeletal remains, noting to Grissom that it’s most likely a caucasian male about 5 feet 9 inches. Partial fusion of the coronal (cranial) suture indicates an age of at least 25 years. His broken hyoid suggests strangulation as the cause of death. Al asks Grissom if he’s really leaving, and if he’s running to or from something. Grissom takes leave to his office.

Grissom checks missing persons for Jewish males wearing Star of David pendants. A Joel Steiner shows up, missing since 1997, and listed as a possible victim of the “Dick and Jane Killer”. Grissom calls the team together and they discuss the Dick and Jane Killer, Nathan Haskell. He killed several couples, the males of which were found dumped in remote locations, all with post mortem stab wounds. None of the females were ever found, and the killer would never discuss them. He was picked up at a sobriety check point in Reno.

Haskell changed his plea to guilty and received life without parole. The seven males that were found, each had one more stab wound than the previously found victim…the first had two, the second three, the third four, etc. Grissom says that they theorized that the first male victim was never found. Joel Steiner and his fiancée were reported missing earlier than the other DJK victims, and were linked to him because they lived near his home.

Joel Steiner’s parents talk to Brass. Mrs. Steiner says that she had the pendant made especially for Joel. Brass asks them for DNA samples, explaining that the private lab that handled Joel’s sample misplaced it.

Grissom tries to stop Hodges in the hallway to speak with him. Hodges breezes on by, replying, “A little too late for that, huh? Hey, you gotta do what you gotta do. Have a nice life.” Grissom looks stunned.

Hodges examines the victim’s clothing.

Wendy reports to Grissom that she was able to “put the screws” to a guy at the lab…her uncle…to get the DNA results quickly. The blond hair was a minor DNA match to Nathan Haskell. Hodges rushes up to Wendy and Grissom, and addresses only Wendy. He says the shoes in the soup were only available since two years before. The D&J Killer has been incarcerated for at least the last 10 years.

Catherine shows Grissom the shoe company’s website. It was s custom design, so she has requested the customer records. Grissom begins to discuss his surprising her with his news. She stops him, though, and says she knew even before he knew.

The records come back. The sneakers were designed by Gerald Tolliver, a Hawthorne, Nevada man with a record of theft and drug busts. He was registered as a criminal informant just before he disappeared six months before.

Nick and Greg go to Tolliver’s house in Reno to meet with Ken Martz from the Reno Police. He says he didn’t work the DJK case, but he was the officer who caught Haskell. Tolliver’s house is still in probate, so still accessible by police. Inside, he shows them blood that matched Tolliver, both on the wall and the floor. Greg notes a partial shoe print found in the blood. Martz wondered how Tolliver is connected to DJK, since he was seventeen at the time of the murders, and was never part of the investigation. Nick notices a bizarre collection of taxidermy and other items, and wonders if Tolliver was a murder memorabilia afficionado. He remarks that Tolliver could have gotten a lock of DJK’s hair from Ebay, but wonders about the Star of David, since it was never recovered.

Riley matches items from Tolliver’s house to victim photos from the DJK’s file, including a school letter from one victim’s jacket, a pair of eyeglasses, a pair of Pearl Jam tickets from the arena where Joel Steiner and his fiancée were last seen.

Grissom tells Catherine that Haskell’s attorneys argued that the murders were the work of more than one killer, stating that he alone couldn’t have subdued the males and females at the same time. Grissom wonders if Tolliver was an active participant. Meanwhile, Greg matches the shoe print from Tolliver’s house to one from the recent “S&M double murder” of couple Ian Wallace and Justine Stefani. Ian also had nine post mortem stab wounds. In light of their discoveries related to Tolliver, this links the new murders to the DJK. He thinks it’s a copycat trying to make Ian and Justine the ninth DJK couple. Nick surprises Greg by interpreting his assertion as finding a copycat killer who just happened to kill an accomplice that no one knew existed until after his own death. Greg is bewildered, but Catherine promises to help him catch up. Nick suggests they go to Ely Prison to talk to Haskell. Catherine doesn’t believe that the guy will talk to them, since he seems to want to be the main character in his own story.

Brass tells Grissom that Ely State Prison has sent over all of Haskell’s correspondence and logs of his phone calls. He told detectives to look for any names that will link Tolliver to Haskell. Brass tells Grissom that it’s too bad he’s moving on, seemingly implying that any interaction they have at gatherings might not be as meaningful. A detective tells them that Haskell has had a lot of calls with a professor at WLVU, and has plans to participate in an upcoming seminar on criminology, including a video Q&A with the students. Grissom plans to attend. Brass will talk to the school and have Grissom go in posing as a visiting professor.

In the seminar, professor Raymond Langston (Lawrence Fishburne) makes opening statements on the common attributes of serial killers: male, caucasian, under 30 years old. He also points out exceptions, as well as Jane Goodall’s witnessing a rampage by chimps.

Haskell is evasive, at first. He then agrees to be honest, and tells Langston that he doesn’t like his book. Grissom asks if he’d ever shared his experiences with anyone, but Haskell insists that he worked alone. Haskell tells them that his definition of “fun” is taking something away from someone. He points out a “nice Jewish girl”, and says he’d take her on a vacation of three days of heaven on earth, then just a little “l’chaim.” [Creepy!]

Greg and Nick tell Catherine about the tickets from Ian and Justine, and note Joel’s Pearl Jam tickets. Ian had ordered tickets for three consecutive nights of Paramore concerts. The couple went missing after the first night, but the third night’s tickets were used. Catherine jokes that the murderer “wasted” a couple, but wouldn’t waste a pair of tickets.

Students, and Grissom, ask Haskell about the female victims. He says nobody ever asked, but, when he took them, they stopped being neices, girlfriends, daughters, etc. One student asks if any resisted. He said a couple of them fought a little, but only at first. He answers one student that he subdued them without force. He then changes the subject back to “the Jewish theme.” He explains that the Jews in the Holocaust panicked when they thought they were about to die. He continues that the Nazis comforted them by giving them the hope that they were really going to be given work to do. He says that, when you take a person to near death, then give them hope, even just a little, you can do anything you want to. And, he says, he did. At the end of the seminar, one girl looks upset. A male student offers to buy her a drink, and she accepts.

Archie and Greg examine internet video of the Paramore concert of the night after Ian and Justine went missing. Zooming in on a frame that includes their seats, they notice that the two men sitting there seem to have matching hats: “Reliant Wash and Wax”.

Brass takes officers to the car wash, and question the two men from the video. They claim to have bought the tickets from a scalper. One man still has his ticket in his wallet. Besides Ian Wallace, prints on the ticket match Curtis Keesey.

Police enter Keesey’s home, where they find a body.

Grissom and David Phillips examine insects on the latest victim. As Grissom identifies the insects, Phillips tells him that he’s going to miss this work. Grissom tells him that there are bugs everywhere, but that he is going to miss Phillips. David gets misty-eyed, and has to turn his face away and leave the room.

Back at Keesey’s house, Catherine notes that his tires match those at Justine Stefani’s murder scene. Nick says, though, that his shoes don’t match, so he must just be the driver.

Catherine, Greg, and Grissom examine the physical evidence from the four murders. They wonder if the unidentified killer was also an accomplice to the DJK. They speculate that he killed Tolliver, when he decided to become an informant. Grissom adds that this might have fueled his taste for killing, leading to the other three murders.

In the second day of the serial killer seminar, Professor Langston asks Haskell about his mistakes leading to his capture. One student adds that he must have wanted to get caught, didn’t he? When Haskell protests the idea of wanting that. Grissom responds, though, that this careful killer was captured because a rookie cop noticed a drop of blood in plain sight inside his car. Grissom asks how such an average sized man was able to overpower large, athletic men, while subduing the female victims, without any help. Haskell seems defensive and tries to change the subject. As Langston tries to push him to answer, Joel Steiner’s mother appears in the back of the room, first demanding, then begging, Haskell to tell where her son is. Students calm her down.

Grissom tells Haskell that they know that he had accomplices. He then adds that, if he were to identify them, he might be let out of keepaway. Haskell identifies Grissom to the rest of the class as a member of law enforcement, explaining that “keepaway” is the form of solitary he is in. Angry, Langston kills the video feed.

Langston complains to Brass and Grissom about their “hijacking” his class without his knowledge. He tells them that he would have helped, if he’d been informed of the existence of another DJK. They tell Langston that they’ll keep him informed. He storms out, proclaiming, “I know a kiss off, when I hear one.” Grissom tells Brass that Langston was an M.D. back east. He studied a case of several dying patients, who ended up being the victims of an “angel of death” physician.

Back at the university, Langston receives a call from Haskell. He tells the professor to look out the window, because he’s in the parking lot. It turns out to be a prank, though. He wants to talk about what happened with Mrs. Steiner. Langston conferences Grissom in on the call. He tells them that seeing all those faces made him miss killing. He adds that Mrs. Steiner’s outburst made him want to offer closure. He gives an address out in the desert. He says he’ll find Joel, and, if they’re lucky, they’ll find something else. He warns them, though, that closure often leads to something new. At the scene, they find Joel Steiner. Under the railroad bridge, they find another, fresh body with ten stab wounds. [It looks like one of the students.]

Brass tells Grissom, “I guess you won’t be leaving just yet.”

to be continued…

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CSI: Vegas – Episode 9.08 – Young Man With A Horn
Air Date: December 4, 2008

A man and woman sing a duet in rehearsal for the show “Overnight Sensation” –an obvious take on American Idol. The producer gruffly stops them, complaining that the young man is lazy and insufficiently emotive. The man’s father rushes from offstage to defend his son. The producer reprimands the father and warns the Layla that she was flat. They resume singing. When the producer shouts over Layla’s singing, telling her to watch her pitch, she rushes off the stage, crying. At the producer’s order, the man continues singing.

Below a highway overpass, Catherine and Phillips examine what looks like a tablecloth rolled up like a handled sack. Cutting through the cloth, they find a woman’s face –it’s Layla Wells.

Wells had been wrapped up in the bundle, clothed in just her lingerie, hinting at sexual assault. Dr. Robbins notes the time of death is between 2 and 4 AM.

(click on “Read More” for the rest of the recap)

Brass questions producer Drew Rich. Rich informs him that Layla had gone to her room, and told her chaperone, at midnight, that she was going to bed. He also tells Brass that Layla was an emancipated minor. The chaperone had gone to the casino to gamble after midnight. Hearing Kips’s father tell Kip that Layla’s death means that he won, Rich corrects him, calling up the most recent cast-off, from the semi-finals, to compete against Kip in the show finale.

Catherine and Stokes examine the tablecloth that Layla was wrapped in. Stokes finds the imprint from the room service company that services the casinos. Catherine notes that circles from drink condensation indicates that it hasn’t been washed for quite some time.

At the dump scene, Riley and Greg find blood drops and wheel tracks with an 11″ wheel spacing. Greg adds that they could be from a shopping cart, except that they’re missing the second, wider tracks from a cart’s rear wheels. Riley remarks on the fact that the area surrounding the underpass is teeming with homeless men with shopping carts.

Dr. Robbins notes that blunt force trauma to the abdomen was the cause of death. He adds that the impact is where the liver would rest while the victim was standing. He tells Catherine that he found no signs of sexual assault, but she was about eight weeks pregnant. She wonders if that’s the motive.

Brass and Stokes visit Layla’s room in the Palermo. Stokes reads the keycard record showing that Layla’s card was used to enter the room at 7:12 PM, right after she left the rehearsal. She had made calls to Drew Rich and to her chaperone. The chaperone was up all night at a progressive slot machine. Nick checks her web browser history. She had looked up several abortion clinics, around 8PM, followed by a series of adoption agencies.

Hodges and Archie look at web tabloid articles embellishing upon the “news” that Kip and Layla had been cavorting after hours. Hodges shows no respect for the show, but mentions that he and thousands of other men had voted for Ajaya, helping him make it to the semi-finals. Archie shows him surveillance footage of Drew Rich getting in the elevator just before midnight, followed by Layla, a few minutes later, and Kip, two minutes after that.

Brass questions Kip Westerman and his father. He dismisses Kip, and addresses the belligerent Mr. Westerman. Brass lays out his theory that Westerman left the Navy and mortgaged his home to support Kip. He concludes that he’d be wiped out if Kip lost, giving him motive to have killed Layla.

Simms shows Catherine that Kip’s DNA didn’t match the baby’s. She did find a CODIS match on a Marvin Flick, who had been charged in North Carolina in 2002 for having relations with a 15 year old. The mug shot, though, revealed that Flick is Drew Rich. The girl changed her story, letting Flick go free.

Brass interrupts Rich, who is editing the finale’s dedication to Layla. The video includes mention of Layla’s showgirl grandmother. Rich claims that Layla agreed to his paying for an abortion, but only to have it if she won the competition. He refused to be blackmailed, but says he didn’t kill her. Brass tells Rich that they have record of his leaving the Palermo at midnight, then using his credit card, 20 minutes later, at the Blue Madonna motel, just three blocks from where Layla’s body was found. Rich claims he was with a hooker. An officer takes him into custody.

Hodges tells Grissom that Layla’s lipstick contained spermaceti, a waxy liquid found in sperm whales’ heads. This, along with asbestos found in the tablecloth, hadn’t been used for decades. Layla’s belongings didn’t include lipstick with spermaceti.

Catherine and Stokes examine a map of Vegas from the 1950s. They notice one casino on the west side, near where Layla was found, that was closed but not torn down –Le Chateau Rouge.

Stokes and Greg visit Le Chateau Rouge. As they walk through, they talk about its being the first integrated casino, and all the big names that once performed there. Greg finds tracks similar to those he found at the scene, with the same 11″ spacing. Stokes finds pink fuzz on a chainlink wire, similar to the material in the sweater that Layla was wearing when she left the Palermo. Inside, Greg finds a cart that seems to match the tracks. Stokes finds the only table in the place that’s missing its tablecloth. He finds latent blood in an apparent track on the table.

When Grissom arrives at Le Chateau Rouge, he is curious about a classic limo. The passenger is Karen Rosenthal, the building’s owner. She invites Grissom into her car, and tells him about the casino. Her husband, Jules, was murdered inside. She says she never set foot inside, since that night. She tells Grissom that she didn’t sell the building because she knew the new owner would tear it down.

In the showgirls’ dressing room, Catherine finds recent footprints. One vanity is marked “Jasmine” –the name of Layla’s grandmother. Examining a lipstick from the vanity, she comments that Layla must have been trying to connect “with her roots.”

Grissom finds a bullet in the casino floor. Stokes finds Layla’s cellphone. The last activity on the phone was the camera. They play the last video that features Layla, clad in a costume from her grandmother’s dressing area, and matching the one Jasmine was wearing in the photo from the tribute video. Kip must have been holding the camera and a light. In the video, Layla is frightened by the sudden appearance of a saxophonist entering the stage. Grissom appears to hear something. He walks over and opens a curtain, revealing an elderly man (Bill Cobbs), holding a revolver down at his side. The man passes out and drops to the floor.

In Desert Palm Hospital, Grissom tells the man that he’s in custody, and being treated for dehydration and malnutrition.

Kip tells Brass that he cared about and loved Layla. He had searched online, and found out that her grandmother had performed at Le Chateau Rouge. He took her there, and she insisted they go inside. She peeled the fence open, and found an open door. Finding her grandmother’s vanity and costume, she put it on.

The man from Le Chateau Rouge tells Grissom that they were making sweet music. He says that Kip was jealous, and came at him, pushing Layla down. The sax player fired a shot and missed, then Kip fled alone.

Kip tells Brass that, although he left Layla inside, he went back and looked all over for her, but didn’t find her.

When Grissom tells the saxophoist that a girl is dead, he responds, “You got me.”

Back in the lab, Grissom looks over a documentary, case files, and clippings all covering the end of Le Chateau Rouge, and the murder of Jules Rosenthal. Despite rumors that it was a mob hit, Rosenthal’s employee Melchior Wilson was tried and convicted for the murder. Grissom tells Catherine that Wilson died in prison. Stokes matched the old man’s gun to the one from the Rosenthal murder. Grissom says that the sheriff, in the 1958 murder case, had lifted Wilson’s print from Rosenthal’s alligator wallet. Grissom demonstrates, with Hodges’ help, that his own print from an alligator wallet has massive voids from the skin’s texture. The one from the original case, supposedly from the same type wallet, was a perfectly clean print. He deduces that Wilson was framed, having probably had his print lifted from any number of places in the casino, since he was a musician there.

Grissom finds Sheriff Montgomery in a poker game. Montgomery says he’ll talk to him about the Rosenthal case, but only if Grissom beats him in a hand. Grissom wins the wager. Montgomery swears by his “evidence”, but Grissom is persistent. He knows the sheriff was part of the cover-up, and challenges him with the issue of the voids from the alligator skin. When Grissom shows him a photo of the saxophist, Montgomery quickly dismisses the pertinence of his fifty year old murder case, turns, and briskly leaves.

Back at Le Chateau Rouge, Catherine finds fibers from the costume on a chair. Stokes comments that the pattern on the arm of the chair matches Layla’s bruise. They deduce that she ran across the floor, and fell down, striking the arm of the chair. So, it looks like an accident. They wonder, then, why did the old man confess.

Riley shows Greg that there are two saxophonists on the brochure from Le Chateau Rouge, besides Melchior Wilson. The other two, Harry Bastille and Stanley Brown, seemed to fall off the face of the earth after 1958. The computer matches the old man’s face, though, to that of Harry Bastille.

Grissom asks Bastille why he confessed, when Layla’s death was an accident, and why he didn’t report it. Bastille says he wanted to keep people out of his place. He says it was the last place he was ever happy. Mrs. Rosenthal comes to the hospital, and says the man isn’t Harry Bastille. Grissom follows her into the hallway, and tells her that the man is Harry Rosenthal. She wonders why he asked her, to which he responds that that man is her husband’s murderer. Grissom tells her that the champagne she was drinking in her car is the same kind found on the floor near where her husband was murdered. She confesses that she met with Bastille after the last show, that night. Rosenthal entered the dressing room, and pulled a gun. Karen Rosenthal lept at her husband, and the gun dropped. She picked it up and shot her husband, before he could attack Bastille. He wanted to say it was him that pulled the trigger, but she didn’t want that to happen. She confessed, but “the town was very different then.” The town leaders convinced the sheriff to go after Melchior Wilson.

Walking down the street at night, Catherine asks Grissom about his coming to Vegas. She tells him that he has a good thing, now, including a “family” –at least, a work family. He answers, “Maybe it’s time to up the ante.”

Notice how much less time Grissom spends in each episode this year. His time, this episode, is near the end, and seemingly just as further insight into his upcoming departure.

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